Affichage des articles dont le libellé est interview. Afficher tous les articles
Affichage des articles dont le libellé est interview. Afficher tous les articles

lundi 16 avril 2012

Tuân & Friends: Shade Sheist (PYO Entertainment)


Shade Sheist seen by me ;)


Young veteran and young legendary rapper, Shade Sheist is one of the few respected artists from US Westcoast to the Far East Side. Since I had the occasion to draw the art cover of his last single "Queen" featuring Latoiya Williams, I also wanted to ask him a couple of things about his career and his perspectives for the future. Enjoy, the West is speaking.

Interview: Tuân


Tuân: Hi there Sheist, can you please introduce yourself? 
Shade Sheist: For those not familiar I am Shade Sheist, a professional songwriter, recording artist and entertainer from Inglewood, California, USA.

T: Where does your nickname come from?
SS: Shade comes from "Shady," which in my case means 'Quiet,' a name given to me by my peers and Sheist is a description of the industry I work in.

You dropped your latest single "Queen" featuring Latoiya Williams a year ago. That supposedly announced the release of your new album  "P.N.L.A. The Exit Strategy". When will it be available and what would the listeners expect about it?
In the summer it will be about a year since I dropped "Queen" and yes it was an official announcement of me producing a new album. I don't want to give away any details on a work-in-progress but I will say that you can expect that [Shade Sheist] I made you fall in love with in the past.

"Queen" art cover made by yours truly

You come from Inglewood, a famous neighborhood in LA. How was life over there as a teen?
Pretty much what you've seen in films like "Boyz N Da Hood" and "Menace II Society".. you got the good, the bad and the in-between. My hometown cities are deceptive, they look like great exteriors but the interiors contain (some) fu*ked up shxt. But a lot of good have also come from these streets and gone on to do some major things worldwide.. I'm an example, so it wasn't all bad.

And how did you start to rap?
Elementary School.. a bright idea developed by some very impressionable minds. I was never officially taught how to rap, I literally did it myself. I guess you just have it or you don't.. I must've had it.

I heard the rumor you layed some of your first verses on some Johnny J's productions that were later featured on 2Pac's "All Eyez On Me"...
Actually, Johnny J, an early musical mentor of mine, worked with me on demos and several of the tracks we used ended up being used on Pac's "All Eyez on Me" album. No lyrics of mine were used, it was simply a case of 2Pac getting all of the good shxt when he came home.. lol

You appeared in a couple of 2Pac's video clip. Which one? And have you ever had the chance to talk with him?
"So Many Tears" and the extended edit of "Dear Mama." I got a chance to speak to 2Pac briefly over the phone while shooting "So Many Tears." He called the video's director from prison and the phone was passed around to a lot of us cast members for him to say thank you for looking out for him while he was unable to be there. That was pretty much the convo, literally.

Sheist & Dr.Dre

You worked with several artists such as DJ Quik, Mariah Carey, Nate Dogg and Timbaland to name a few. Who had the deepest impact on you? Do you have any anecdot to tell us?
They all did, for their own reasons. Working with Quik was sentimental, his was the 1st gangsta rap music I had ever heard in my life. Working with Dre was an honor because.. that's Dr. Dre, the Legend. The same for Mariah. And Teddy Riley. I loved every last one of Nate Dogg's features coming up as a teen so being able to share all those hits with him was unbelievable. Working with all of these great musicians definitely made my life worthwhile.

You did work with rapper/producer Damizza for quite some times then split. What happened?
We reached our peak together at that time and decided it was best to continue exploring the industry using separate avenues. We continue to consult each other to this day, however.

Do you guys have future common projects?
Stay Tuned...

Another person you work with for many years is N.U.N.E. How did you meet him?
I met Nune through a mutual friend, we became homies and it's been on ever since. He was introduced to me as an artist but he soon showed me that he did way more than make dope records. I helped him facilitate a lot of his great ideas and he's had my back ever since.

Shade Sheist x N.U.N.E.

You were previously signed to a major label then created your indie structure called Put Yourself Out Entertainment (PYO) with N.U.N.E. Since you saw both sides of the music industry, what are their advantages and disadvantages to you?
The advantages of being with a Major is really just the budget you get to work with and the promotional vehicle they can afford to drive. Then there are all of the industry connections they have. On the flip, you have to pay for all of that.. so unless you're selling Millions, you are seeing nothing for all of that hard work and effort. That's the advantage of being Independent and putting yourself out, you can and do see all of that hard work pay off.

You were close to Murder Inc. when Ja Rule was on top of the game, wrote for Vita and were featured on The Fast & Furious OST. What was the nature of your relationship with Irv Gotti's team?
They loved the West Coast sound and Damizza and I just were who they wanted to roll with at that time. Gotti really enjoyed the style of my records and suggested I write records with The Inc, so I did. He heard a song of mine called "If You Were My Bitch" and the next thing I know I'm on a Gold release. One day he came to the studio and said he needed a record with me and Nate for "The Fast and The Furious".. the next thing I know I'm on a hit movie and Double Platinum soundtrack. I also got to write and record with Ja Rule and we did major damage on a Triple Platinum release. I loved writing for Vita, she's ill.. same with Cadillac Tah and Black Child. Those were the days.

People know you (or don't know you) for your ghostwriting skills. Can you tell us for who you wrote?
I can't actually. Confidentiality Agreements. But I have definitely put in my work for the West's Best, a few East Coast and Southern Greats and several R&B artists.. some great, some elite. Some of my work ended up releasing and becoming Billboard hit singles. Writing has always been closely tied to the respect I receive in this industry. That's because a lot of my peers know who have hired me at one point or another.



Radios nowadays play crap music and the Westcoast scene seems to have been a bit forgotten. What's your point of view about Westcoast current state?
Exactly what you said.. it's crap. We get a "West Coast Wednesday" and we live on the West. I'm so confused by this. I don't even like to talk about it, it's a sore subject because I know where we were not so many years ago. Where we are is very disheartening.

Asia has a lot of love for Westcoast music. You did perform in Taiwan, Japan, you even have a deal with a japanese label... How do you explain that success over there and what do you appreciate about Asian mentalities?
They just know that good shxt.. lol. I can't explain my success in Asian territories, I can only say that they LOVE me and I love them back. When I release, they pick it up, they download it.. when I come out to perform, they show up every time. I got nothing but love for [that] type of mentality.

Talking about Asian stuffs, how did my artworks catch your attention? What did you appreciate about them?
It's great work! I saw what you did for some of my peers and I was highly impressed. The colors are vivid and the character representations are really on-point. I was blown away with the "Queen" finished product. It really looks like me.. in a Manga way. LoL

Do you like anime and manga?
Love It! Believe it or not, I used to draw (or at least attempt to) Anime in high school. One of my Japanese classmates taught me a few techniques and I was getting pretty good at it. I couldn't do it to save my life these days though. I used to watch a lot of Anime cartoons as well. One I distinctly remember watching often was called "Project A-Ko."

Well, anything else to say? Projects for the future?
Much Luv 2 all of my supporters.. Look out for Me This Year!


More about Shade Sheist: http://thatshxt3.com/






jeudi 22 mars 2012

DJ Vidy - Interview sur repreZent.ch


Il est jeune, il fait parler de lui sur Genève et par extension en Suisse romande. C'est DJ Vidy, vous savez, le p'tit jeune de 16 piges qui mixe dont je vous avais déjà parlés. Il passe à la casserole de repreZent.ch et il faut avouer qu'il s'en sort pas trop mal. Accepter toutes ces critiques en fait quelqu'un de bien plus mature que la majorité des acteurs du Rap suisse... 

En tout cas, ça fait plaisir qu'un média Hip-Hop suisse ose lancer des piques. Enfin.



mercredi 21 mars 2012

Tuân & Friends: Cherry Brown (Jack Rabbitz) aka Yuuyu Aensland aka Lil' 諭吉


Cherry Brown drawn by yours truly...

Part of the new generation of Japanese rappers, Cherry Brown been doing his things under several nicknames and during many years. Discovered by Richee almost a decade ago and now member of Jack Rabbitz, the young and versatile artist is ready to drop his 1st album.

Tuân: Hi there Cherry Brown! Who are you, how old are you, where do you come from, why such a nickname...
Cherry Brown: I am Cherry Brown. I make music. 23 years old born in Yokosuka. My old name was Chalee Brown... I used to diss anybody so a friend told me to change my name in choosing something softer, and he said "how about Cherry"? And I was like "coooool". Damn that's a lot of questions in 1 time man...

T: What did you release so far and what's coming up next?
CB: I released 5 mixtapes as Cherry Brown. This year finally releasing an album.

How did rap music come to your ears for the 1st time?
My father likes Westcoast Gangsta Rap and he was just bumpin' it when I was in my mother's stomache.


You rap as Cherry Brown, but also produce as Lil' 諭吉 (Yukichi) and Yuuyu Aensland. These different identities represent different musical universes. Can you tell us more about them?
Cherry Brown = Idol/Rapper (I guess)
Lil' 諭吉 = Hip-Hop beatmaker
Yuuyu Aensland = Club music beatmaker, remixer, DJ

Did you start to rap and produce at the same time?
No I started rapping first. But there was nobody around me who could make a beat so I started making them myself.

What's Cookie & Biscuit Mafia?...
My label.

You used to rap with Knux (also from Jack Rabbitz) and Christy (related to XXXXXL Inc. and Hood Sound) in a group called Trill Grillz. How did you meet and did you split?
Well... There was a DJ who made the group, we knew each other through him. We split because I had a beef with the DJ and quit the group. And after that they split too.

You're part of the new generation of Japanese rappers and doesn't necessarily have the same influences as your predecessors (G-Funk, etc). So what musically inspires you and what differentiates you from them?
Rappers from the Dirty South. Three 6 Mafia is my idol and I learn a lot from Soulja Boy.

You're close to "new school" rappers such as Klooz. Who impresses you among the new cats?
Fuck everybody else! I fuckin' hate rappers and rapers.

In Europe, where most people talk about "real Hip-Hop", it's almost impossible to mix musical genres such as Rap and Pop music. How can you explain the fact J-Rap can meet J-Pop without being criticized by so-called Hip-Hop purists in Japan? I remember seeing you in Aoyama rapping on J-Pop beats.
There is alot of wack shit over here, Rap and Pop... It's fuckin' horrible... Yeah I rapped on some J-Pop music but those shits are fucking cooool as fuck.


Since you're from Yokosuka and "hafu", did you also grow up on a military base like your groupmate and friend Richee?
Yes I did. I was born inside Yokosuka base and went to the United States, came back to Japan, went to the States, then Hawaii, and back to Japan!...

You're one of the few half black, half Japanese I know. Knowing the conservative state of mind of many Japanese people, have you ever been victim of racism?
Yeah when I fought with some of my classmates they always told me to go back to my country (laughs). And everywhere I go, people look at me with those strange eyes... I always hate that shit.

You're a member of Jack Rabbitz alongside Richee. He told me he met you for the first time when you were 16 and gave him a demo. What were your expectations at that very moment?
I dont know... I just saw him and I was like "oh shit, that's Richee, I know him" and just talked to him and said I rapped too! And he said "give me your demo" so I rapped over J-Kwon, Methodman, T.I. instrumentals and sent it to him. I thought nothing would happen.

By the way, where does the name Jack Rabbitz come from? From the rabbit making mochi on the moon?
Richee chose that name.

You seem to be a very big fan of idols, eroge, cute girls with high socks, etc. Why such a fascination?
I don't know... I just like it (laughs).

Who's Shiorin? The only one I know is the supa dupa hot rapper of the korean girls band Sistar19.
She is a member of and idol group called Momoiro Clover Z. Her full name in Tamai Shiori. She is sooo fuckin' cute, she is my daughter.

Well, I think we're almost done. Thanks man, much love to your mustache! Anything else to say?
Nothing but much love to my mustache??? That shit is super gay!...

Hahahaha!






mardi 21 février 2012

Tuân & Friends: Richee (RS Enterprise/Hood Sound Inc.)


Sketch of Richee drawn by yours truly


Straight outta Yokohama, Richee been representing the Bay Side for years alongside his Hip-Hop groups such as Ghetto Inc. and Tha DSC. The Smooth Operator is now back with the upcoming 2nd album of his new group Jack Rabbitz. Since I had the opportunity to draw the album cover, it was a good occasion to ask him some questions. Ready, set, go!

Can you please introduce yourself? Who are you and where are you from?
They call me RICHEE aka Smooth Operator from Yokosuka city Japan. I'm da Smooth Operator since everything I do is smooth (laughs)!

How did you discover Hip-Hop culture and how did you start to rap?
As a kid, I grew up listening to Hip-Hop. I was a skater during those ages and had a boom box going while we was skating. I never thought I would be a rapper during the time, but around 1994 or so I started to try freestyling but was just fooling around... I actually really got into rapping around 1999.

Your big brother Big Ron sings and you rap. Did your passion for music started at the same time?
BIG RON was a very big influence for me to start in the music world. I started to feel the passion when I seen him on stage for the first time. After that I said I may be able to do it also! And I just started to write my raps.

Big Ron

Westcoast Rap music and especially G-Funk style been huge in Japan for years (NB: it's so popular that Japanese G-Funk is called J-Funk). Why do you think Japanese people feel these types of Rap? And where do your interest for this genre comes from?
Westcoast scene in Japan now has become fairly large in the Japanese community. When we first started, it was never easy because there was a whole bunch of other style rappers around and they got their props at the time. DS455 was one of the Westcoast style pioneers and the smooth beats DJ PMX was making just was easy to get into. They got the verses and the hooks came with singers singing on them. I guess the melody was very nice and easy for the Japanese people to get into. My interest of this genre came automatically since I was located on a military base. Always been listening to Westcoast music starting from NWA!

Favorite artists so far and influences?
Too many to name but it got me when Dr. Dre came up with "The Chronic". Snoop Doggy Dogg, Ice Cube, Cypress Hill, Eminem, etc. I just love their shit!

How different is Yokohama Rap scene from other japanese cities?
Since there are many American bases around in our town and also the outlying cities, the scene in Yokohama was much more prone to the music overseas. The culture of lowriding started way back when I was a kid. I used to go to Yokohama around a large park called Yamashita where all the lowriders where bumping their music and doing all kinds of stuff. My interest at the time was to hit on the honeys who be chillin' in the same park! Anyways, the difference is just the style because most of the JP Rappers were just influenced over the Eastcoast style and there wasn't too many of them also. The Westcoast style actually got popular within this 15 years I think.

How do you consider Hip-Hop's evolution in Japan thru the years?
It's great! The scene grew as time fled and now many artist are starting to get recognized. The next step is to take it to another level so we can get more people to listen to many of the music we make.


You're part of different groups and structures. How did you connect with Hood Sound, Ghetto Inc., Tha DSC, etc?
I started out my career with Ghetto Inc.! I was leader of the group and we got instrumentals of songs already out and started rapping to it. Got hooked up with DS455 after Big Ron started to work with them. I went solo for a bit, then made a group called Jack Rabbitz since I had Cherry Brown and Knux around my crew. Tha DSC was formed around 2 years ago since we just went to perform all over Japan as a crew all the time!

You created RS Enterprise in 2009 if I'm right. What were your wishes and objectives through it?
Reason why I made RS ENTERPRISE was mainly because I wanted to do more things that was different from all the past projects. Another reason is that I wanted to make my own studio (G-Studio) so we can make everything at our own spot.

One of your recent project is the creation of your new group Jack Rabbitz alongside Cherry Brown and Knux (formerly of Trill Grillz) who represent the next generation of rappers in Yokohama. Why that choice and how did they catch your attention?
Simple. As a large group called HI-RISE, we had a very large number of people who wanted to be a rapper or singer. I first met Cherry Brown when he was 16 years old and he brought me a demo. I thought he had a different flavor from others and just caught my mind. Ever since he was a close member of the team. I met Knux afterward when Cherry started to kick it with his peeps in Trill Grillz. I heard several of his songs and thought he had a very nice style of singing at the time.

Richee, Cherry Brown, Knux

An interesting thing's that you have 25% of Japanese blood and 75% of American blood. Is it difficult to represent a new generation of Japanese people with mixed cultures?
It's never been easy to be mixed or being a foreigner in Japan. When I was a kid, there was so many negativity that I don't even want to get into details about... Now, it's very different because the new age people mind have changed and see everything differently. It's just starting to get better but who knows how it will be! Gotta see how it goes.

How come there are so many halfu in Yokosuka?.. Because of the US army?
I think the fact that the military base is around is a huge reason for people like us to be seen a lot!

You often go to Thailand with your group and label mates. How do Thai people show you love out there?
Thai is great.  We are linked up with the artists in Bangkok (Thaitanium and the family) and everytime we go there we have fun times. Just wait till all the fun coming up with the Asian music scene.

Upcoming projects and desires for the future?
Jack Rabbitz 2nd album coming soon. Has been postponed for a bit but it will be out. I'm working on my 2nd solo album and Ghetto Inc. 2nd also. Hope we can keep making great music for all ya ears!

Last question: why Sakura Sena (laughs)?
Oh boy... just look at her and her body!!!!!! She old now though... (laughs)

Sakura Sena aka Monster Body

Would you like to say one last thing?
Thanx for reading!! Listen to our music and hope all will enjoy.

Thanks a lot for answering my questions!




Purchase Richee's and Jack Rabbitz latest releases on http://www.rs-enterprise.net/






mercredi 16 février 2011

Reminder : my video profile reached 1000+ views



Hi people! I really wanted to thank everyone who viewed, liked and shared my video profile made by 21lifestyles ^^! It really counts since what I'm doing in the vid (and in general as well ^^) isn't especially spectacular: I'm just talking about who I am, what I like and what I do. That's all! Plus I always say "and all that" when I speak English, that's such an awful habit. I should get rid of it as fast as I can (>.<).


Anyway, I wanna give a special shout out to Matteo Attanasio of 21lifestyles who did an amazing work, and to K-Murdock of Neosonic Productions for the background music.

And one more time: thanks to you! I'm nothing without your support!

T!

mardi 25 janvier 2011

My interview on RepreZent.ch


RepreZent.ch is the number 1 hip-hop website in the french part of Switzerland. They just posted a new interview in which I talk about my artworks, my prospects, and the swiss rap game.

The interview is in French (yep, sorry about that), but you can always take a look and share it;).

T!

L’itw repreZent du jour n’est pas consacré à un artiste maniant le stylo pour écrire, mais pour dessiner, et force est de constater qu’il est vraiment talentueux, donc on n’a pas hésité à lui poser quelques questions. En plus les réponses font vraiment du bien…. Tellement qu’on a décidé de vous offrir une vidéo en bonus dans laquelle la société zurichoise 21Lifestyles brosse le portrait de Tuân. Voilà, après ça vous pourrez plus dire que vous saviez pas!...

samedi 22 janvier 2011

My video profile by 21Lifestyles


21Lifestyles is a media company specialized in extreme sports and lifestyle. The company's own by legendary rollerblader Matteo Attanasio and did several works with artists, sportsmen, etc.

Here's my video profile made by 21Lifestyles: I talk about my influences, a bit of my life, and my artworks (especially about digital art). Mad thanks to Matteo who came from Zurich for the video shooting! And thanks to K-Murdock of Neosonic Productions for the musical background!

If you wanna contact 21Lifestyles, please visit their website (with a brand new design), all the information are there!

T!